Hannah Arendt: Self-Disclosure, Worldliness and Plurality
Hannah Arendt: Self-Disclosure, Worldliness and Plurality
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汉娜·阿伦特：自我揭露、世俗性和多元化
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发表时间：
2012
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通讯作者：
Helgard Mahrdt
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作者：
Helgard Mahrdt
与无生命物质的无机物的存在性相反，有生命的存在并不仅仅是表象。有生命就意味着有一种自我表现的冲动，这种冲动是对自己的表象性的回答。生物的出现就像舞台上的演员一样。这个阶段对所有活着的生物来说都是共同的，但对每个物种来说似乎是不同的，对每个个体来说也是不同的。似乎——在我看来，dokei moi——是一种模式，也许是唯一可能的模式，在这种模式中，一个显现的世界被承认和感知。出现总是意味着在别人看来似乎，而这种似乎是根据旁观者的立场和观点而变化的。（阿伦特，1981,21）。
In contrast to the inorganic thereness of lifeless matter, living beings are not mere appearances: To be alive means to be possessed by an urge towards self-display which answers the fact of one’s own appearing-ness. Living things make their appearance like actors on a stage set for them. The stage is common to all who are alive, but it seems different to each species, different also to each individual specimen. Seeming – the it-seems-to-me, dokei moi – is the mode, perhaps the only possible one, in which an appearing world is acknowledged and perceived. To appear always means to seem to others, and this seeming varies according to the standpoint and the perspective of the spectators. (Arendt 1981, 21).