Dismembered Voices and Acoustic Memories: Dante in Giulio Cesare Croce
Dismembered Voices and Acoustic Memories: Dante in Giulio Cesare Croce
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肢解的声音和声音记忆：朱利奥·凯撒·克罗齐中的但丁
DOI：
10.1080/00751634.2016.1175720
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发表时间：
2016
期刊：
影响因子：
0.3
通讯作者：
Pegoretti A
中科院分区：
文献类型：
--
作者：
Pegoretti A
本文旨在探讨但丁的喜剧在博洛尼亚诗人朱利奥·切萨雷·克罗齐的作品中的存在。对克罗齐的混合社会和文化地位的初步评估之后，仔细阅读了他的一些作品的段落。但丁这首诗的回响在16世纪下半叶博洛尼亚的大背景下被呈现出来。进一步的目的是通过诗歌文化和半文化街头歌手和诗人的生产的特定镜头，对喜剧的巨大的，但很大程度上是短暂的口头传播进行初步调查。
This essay aims to explore the presence of Dante’sCommediawithin the writings of the BolognesecantastorieGiulio Cesare Croce. A preliminary assessment of the hybrid social and cultural status of Croce is followed by a close reading of passages of some of his works. The echoes of Dante’s poem are contextualized in the wider picture of its reception in Bologna in the second half of the sixteenth century. A further aim is to offer a preliminary enquiry into the immense, but nonetheless largely evanescent, oral transmission of theCommediathrough the specific lens of the poetic culture and production of a semi-cultivated street singer and poet.