Ghosts of Sheridan Circle: How a Washington Assassination Brought Pinochet's Terror State to Justice
Ghosts of Sheridan Circle: How a Washington Assassination Brought Pinochet's Terror State to Justice
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谢里登圈子的幽灵：华盛顿刺杀事件如何将皮诺切特的恐怖国家绳之以法
DOI：
10.1093/jahist/jaab203
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发表时间：
2021
影响因子：
1.2
通讯作者：
Mistry K
中科院分区：
文献类型：
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作者：
Mistry K
其他章节讨论了《哈莱姆之夜》（1989）、《玻璃盾》（1994）的优点，以及艾娃·杜威内的电影对整个经典的影响。亚历山大为她选择《哈莱姆之夜》辩护，认为她与艾迪·墨菲更主流的成功背道而驰，也是白人和黑人评论家和观众如何评论特定文化电影及其后果的一个例子。 《玻璃盾》是在 1992 年罗德尼·金判决后制作的，可能会引起当代观众的共鸣。这部备受忽视的电影以现实生活事件为基础，与好莱坞警匪片和新黑人现实主义短暂时代制作的警匪片不同，将黑人作为被告和执法人员并置，以及刑事司法系统如何操纵两者。杜威奈在男性主导的行业中提供了特定性别的视角。作为一名非裔美国女性，她意识到刻板印象以及在创作过程中缺乏机会，而这些形象往往是隐形的，杜威内创作的作品旨在让黑人妇女和女孩在以她们的经历为中心的故事中发出声音和发挥作用。
Other chapters discuss the merits of Harlem Nights (1989), The Glass Shield (1994), and the impact of Ava DuVernay’s films on the overall canon. Alexander defends her choice of Harlem Nights as a departure from Eddie Murphy’s more mainstream successes and an example of how white and Black critics and audiences review culture-specific cinema and the consequences of such. The Glass Shield, made in the aftermath of the 1992 Rodney King verdict, could resonate with contemporary audiences. Based on real-life events, this muchoverlooked movie is a different take on Hollywood cop films and those made during the brief era of the new Black realism, juxtaposing Black men as the accused and law enforcement, and how the criminal justice system manipulated both. DuVernay provides a gender-specific perspective in a male-dominated industry. As an African American woman conscious of stereotypical images and the lack of opportunity in a creative process where they are often invisible, DuVernay creates works that speak to giving Black women and girls voice and agency in stories centered on their experience.