Music perception
Music perception
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DOI：
10.2741/2402
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发表时间：
2007-05-01
影响因子：
3.1
通讯作者：
Deutsch, Diana
中科院分区：
文献类型：
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作者：
Deutsch, Diana
本章探讨音乐感知之间的关系，因为它是在实验室研究，因为它发生在真实的世界。我们首先研究的一般原则，听众组音乐音调感知配置，以及这些原则是如何实现的音乐创作和表演。然后，我们表明，对于某些类型的配置，音乐，因为它被认为可以从乐谱中标注的音乐，或从阅读的分数可能会想象有很大的不同。此外，在某些音乐段落的感知中，听众之间存在显着差异。这些研究结果的影响进行了讨论。
This chapter explores the relationship between music perception as it is studied in the laboratory and as it occurs in the real world. We first examine general principles by which listeners group musical tones into perceptual configurations, and how these principles are implemented in music composition and performance. We then show that, for certain types of configuration, the music as it is perceived can differ substantially from the music that is notated in the score, or as might be imagined from reading the score. Furthermore, there are striking differences between listeners in the perception of certain musical passages. Implications of these findings are discussed.