Music Publishing in Italy, c.1580–c.1625: Some Preliminary Observations
Music Publishing in Italy, c.1580–c.1625: Some Preliminary Observations
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意大利的音乐出版，c.1580–c.1625：一些初步观察
DOI：
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发表时间：
1987
期刊：
影响因子：
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通讯作者：
T. Carter
中科院分区：
文献类型：
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作者：
T. Carter
许多学者试图接受16世纪初意大利神圣和世俗音乐的特点--风格多样化和实验性。审美态度和音乐风格的变化都被视为从文艺复兴时期向巴洛克时期过渡的典型。然而，记录这一转变的一个重要来源--意大利主要音乐出版社的活动主要集中在威尼斯、罗马、米兰和那不勒斯--被过度忽视。这些活动在多大程度上反映甚至影响了这一时期的音乐发展历程，对这些活动的描述如何帮助学者解决这个过渡时代的复杂历史问题？
Many scholars have attempted to come to terms with the stylistic diversification and experimentation that characterises Italian sacred and secular music at the turn of the sixteenth century. Changes in aesthetic attitudes and musical styles are both seen as typical of the transition from the Renaissance to the Baroque periods. However, an important source for documenting this transition-the activities of the major music publishing houses in Italy centred largely in Venice, Rome, Milan and Naples-has been unduly neglected. To what extent did these activities reflect, or even influence, the course of musical development during this period, and how can an account of them aid the scholar in solving the complex historical problems of this transitional age?