Modern Scottish Bands (1970-1990): Cash as Authenticity
Modern Scottish Bands (1970-1990): Cash as Authenticity
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现代苏格兰乐队（1970-1990）：现金作为真实性
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
S. McKerrell
中科院分区：
文献类型：
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作者：
S. McKerrell
使用音乐证据和采访材料，我认为苏格兰传统音乐的商业化已经将重点从表演真实性的复兴主义观念转移到更加混合和商业的音乐上。我认为，主要表演者的经济需求被低估了，这是苏格兰传统音乐商业化的一个重要因素。这导致了苏格兰音乐的各种变化，包括从意识形态驱动的表演者的变化，演奏大部分水平和真实的曲调和歌曲，到采用新的和声，节奏和乐器的更加混合的音乐。
Using musical evidence and interview material, I argue that the commercialization of Scottish traditional music has shifted the emphasis from revivalist notions of authenticity in performance, to a more hybrid and commercial music. I argue that the financial needs of key performers have been underacknowledged, and a significant factor in the commercialization of Scottish traditional music. This has led to various changes in Scottish music including the change from ideologically motivated performers, playing largely horizontal and authentic tunes and songs, to a more hybridized music adopting new harmonies, rhythms and instruments.
This is evidenced by the albums of the time, by the change in instrumentation, the new prevalence of composition over arrangement and the testament of professional traditional musicians. I suggest that this has led to a shift in the control of aesthetic boundaries, from the revivalist performers to the audience, who now accept, and pay for, a more diverse conception of Scottish traditional music.