OVERTONE SINGING - PRODUCTIVE MECHANISMS AND ACOUSTIC DATA
OVERTONE SINGING - PRODUCTIVE MECHANISMS AND ACOUSTIC DATA
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DOI：
10.1016/s0892-1997(05)80340-6
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发表时间：
1993-06-01
期刊：
影响因子：
2.2
通讯作者：
KLINGHOLZ, F
中科院分区：
文献类型：
--
作者：
KLINGHOLZ, F
泛音歌唱是一个人用两个声音唱歌，第一个声音由基本音代表，第二个声音由增强的和声代表。泛音演唱是在胸区进行的。第一或第二共振峰的调谐和共振峰带宽降低到20 Hz使谐波突出。缩窄咽，软腭收缩，小口开口的变化，以及口腔壁的张力。改变突出的和声具有创造具有持续音调、音阶和颤音的泛音旋律的效果。
Overtone singing is where one person sings in two voices, the first voice represented by the fundamental and the second by an enhanced harmonic. Overtone singing is performed in chest register. Tuning of the first or second formant and a reduction of the formant bandwidth down to 20 Hz make harmonics prominent. Narrowing the pharynx, velar constriction, variation of the small mouth opening, and a tension of the walls of the mouth cavity are used. Changing prominent harmonics has the effect of creating an overtone melody with sustained tones, tone steps, and trillos.