Pathos: Rhetoric and Emotion
Pathos: Rhetoric and Emotion
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悲情:修辞与情感
DOI:
10.1002/9780470999851.ch14
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发表时间:
2007
期刊:
影响因子:
--
通讯作者:
J. Kastely
中科院分区:
文献类型:
--
作者:
J. Kastely
Who indeed does not know that the orator’s virtue is pre-eminently manifested either in rousing men’s hearts to anger, hatred, or indignation, or in recalling them from these same passions to mildness and mercy? Wherefore the speaker will not be able to achieve what he wants by his words, unless he has gained profound insight into the characters of men, and the whole range of human nature, and those motives whereby our souls are spurred on or turned back.(Cicero 1942: 41)Crassus seems to consider the use of emotion as theoretically unproblematic, as primarily a matter of strategic necessity. But not everyone agrees with Cicero that persuading an audience through appeals grounded in or buttressed by emotion is desirable. In fact, philosophers such as Kant believe that action should be guided by reason and insist the power of emotion to move audiences needs to be controlled because, uncontrolled, it endangers ethical autonomy and opens human lives to determination by forces outside of rationality. Much of the history of rhetoric can be written as a coming to terms with this possibility of emotion’s displacing reason. Some rhetors, like Gorgias, are untroubled by this apparent danger and simply embrace the power of emotion; others, like Cicero, acknowledge a potential problem and seek to show how emotion can cooperate with or serve reason. In either case, there is an assumption that reason and emotion are distinct. There is, however, a third alternative. Starting with Socrates’ recovery of Eros in Phaedrus and continuing in the work of some contemporary interpreters of Freud, a more promising defense can be