Towards semiotically driven empirical studies of ballet as a communicative form
Towards semiotically driven empirical studies of ballet as a communicative form
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DOI：
10.1057/s41599-022-01399-8
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发表时间：
2022-12-01
影响因子：
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通讯作者：
Zecca，Massimiliano
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文献类型：
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作者：
Maiorani，Arianna;Bateman，John A. A.;Zecca，Massimiliano
本文将舞蹈作为一种以动作为基础的符号系统，以古典芭蕾舞为例，展示舞蹈作为一种交流形式如何被详细描述和实证性研究所接受。这项研究促进了从语言学、传播学和社会符号学的角度对各种舞蹈形式进行多学科研究的日益增长的传统，并借鉴了非语言符号系统的形式语义学的最新发展，以及多通道功能解释中出现的经验方法。因此，本文开发了一种特殊的芭蕾舞处理方法，提供了一种原则性的方法，将使用运动字幕技术记录的物理运动流与话语解读联系起来，例如那些在古典芭蕾舞中通常与叙事相关的话语解读，但也可能在其他形式的舞蹈中找到。这篇论文阐述了如何通过引入明确定义的方法甚至语言学和相关领域的具体问题来支持进一步的实证研究。
This paper treats dance as a movement-based semiotic system, focusing on classical ballet as an example in order to show how dance can be made accessible to both detailed description and empirical investigation as a form of communication. The study contributes to a growing tradition of multidisciplinary research that looks at a variety of dance forms from the perspectives of linguistics, communication studies and social semiotics, drawing additionally on recent developments in the formal semantics of non-verbal semiotic systems and on empirical methods emerging within functional accounts of multimodality. The paper consequently develops a particular treatment of ballet that offers a principled means of linking the physical stream of movement, recorded using motion caption technology, and discourse interpretations, such as those that are typically narratively relevant in classical ballet but which may be found in other forms of dance as well. The paper sets out how this may then support further empirical research by importing well-defined methods and even specific questions from linguistics and related fields.