Metamorphoses of Scheherazade in literature and film
Metamorphoses of Scheherazade in literature and film
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文学和电影中山鲁佐德的变形
DOI：
10.1017/s0041977x03000284
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发表时间：
2003
期刊：
影响因子：
--
通讯作者：
Wen
中科院分区：
文献类型：
--
作者：
Wen
本文追溯了《一千零一夜》框架故事中女主人公舍赫拉莎德在现代小说和电影中的蜕变。它在讨论跨文化和学科的叙事功能的背景下考察了这些变形。它更特别地着眼于体裁意识形态的作用，即隐含在一般期望中的知识范式，体裁之外的意识形态，以及叙事转换中的主观性，当故事在时间和表达媒体和文化中旅行时，它们在改变故事中的作用。对《夜》框架故事、舍赫拉扎德的故事及其转变的分析，进一步通过对批判性阅读“文本”过程的询问而得到信息。体裁、意识形态和主观性是否影响了我们对“文本”的解读？这些类别中固有的知识范式反过来又以何种方式影响我们对故事和叙事的理解？
This article traces the metamorphoses of Scheherazade, the heroine of The Thousand and One Nights' frame-tale, in modern fiction and film. It examines these metamorphoses in the context of a discussion of the function of narrative across cultures and disciplines. It looks more particularly at the role of genre ideologies—paradigms of knowledge implicit in generic expectations, ideologies external to genre, and subjectivities in narrative transformation—in transforming the story as it travels in time and across media of expression and cultures. Analysis of the Nights frame-tale, the story of Scheherazade, and its transformations, is further informed by an interrogation of the process of reading ‘texts’ critically. Do genre, ideology and subjectivity inform our readings of ‘texts’? In what ways do paradigms of knowledge perceived as inherent in these categories in turn affect our understanding of story and narrative?