Interview with director Jayan K. Cherian
Interview with director Jayan K. Cherian
复制标题
导演杰扬·K·切里安专访
DOI：
10.1177/0021989417710303
复制
发表时间：
2017
期刊：
影响因子：
--
通讯作者：
Misrahi-Barak J
中科院分区：
文献类型：
--
作者：
Misrahi-Barak J
在对朱迪思·米斯拉希-巴拉克和妮可·蒂亚拉的采访中，贾扬·K。Cherian讨论了他在印度和美国作为独立电影制片人的工作，他的艺术和政治承诺，以及他在发布他的第一部故事片Papilio Buddha（2013）后在印度电影认证中央委员会面临的挑战，该电影专注于喀拉拉邦的达利特人土地斗争，并再次与他的第二部故事片KaBodyscapes（2016）。采访探讨了作为美国公民和印度海外公民的双重身份如何使他的处境更加复杂，因为这为他提供了作为永久局外人的自由和限制。关于凤蝶佛及其对达利特人土地斗争的代表性的讨论是采访的重点。他还谈到了他的目标观众（S）和他的工作人员在现场的工作方式。由于切里安是一个诗人和作家以及电影制片人，他解释了他对特定媒体的选择，在特定的背景下，他定位自己。
In this interview with Judith Misrahi-Barak and Nicole Thiara, Jayan K. Cherian discusses his work as an independent filmmaker in India and the USA, his artistic and political commitment, and the challenges he has faced with the Central Board of Film Certification in India after the release of his first feature filmPapilio Buddha(2013), which focuses on Dalit land struggles in Kerala, and again with his second feature filmKaBodyscapes(2016). The interview explores how holding a dual status as an American citizen and an Overseas Citizen of India makes his situation more complex because it offers him both the freedom and constraints of being a permanent outsider. The discussion ofPapilio Buddhaand its representation of the Dalit land struggle is the focus of the interview. He also speaks about his intended audience(s) and the way he works on location with his crews. Since Cherian is a poet and a writer as well as a filmmaker, he explains his choices for specific media, in the particular contexts in which he positions himself.