An Eye for Music: Popular Music and the Audiovisual Surreal
An Eye for Music: Popular Music and the Audiovisual Surreal
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音乐之眼：流行音乐与视听超现实
DOI：
10.1093/acprof:oso/9780195367362.001.0001
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发表时间：
2011
期刊：
影响因子：
0.4
通讯作者：
J. Richardson
中科院分区：
文献类型：
--
作者：
J. Richardson
确认1。介绍2。导航新超现实主义：背景和前提最近电影中的新超现实主义倾向：《清醒的生活》与《善良》新超现实主义的Metamusicals， Camp和Reparation: Yes和The任性的云。重录动态影像：美女和美女，混搭和（Mis）同步虚拟匪帮的超现实主义：“克林特·伊斯特伍德”和“感觉良好公司”在数字时代演奏原声音乐，还是命运的超现实扭曲。结论性思考：液体的日子和去Gaga书目索引
Acknowledgments 1. Introduction 2. Navigating the Neosurreal: Background and Premises 3. Neosurrealist Tendencies in Recent Films: Waking Life and Be Kind Rewind 4. Neosurrealist Metamusicals, Camp and Reparation: Yes and The Wayward Cloud 5. Rescoring the Moving Image: La Belle et la Bete, Mashups and (Mis)syncing 6. The Surrealism of Virtual Band Gorillaz: "Clint Eastwood" and "Feel Good Inc." 7. Performing Acoustic Music in the Digital Age, or a Surreal Twist of Fate 8. Concluding Thoughts: Of Liquid Days and Going Gaga Bibliography Index