Black France/France Noire: The History and Politics of Blackness
Black France/France Noire: The History and Politics of Blackness
复制标题
黑色法国/黑色法国:黑人的历史和政治
DOI:
10.1093/fh/crt076
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发表时间:
2014
期刊:
影响因子:
--
通讯作者:
Peter J. Bloom
中科院分区:
文献类型:
--
作者:
Peter J. Bloom
This volume makes an important claim for the field of Black French studies as a bridge between constructions of Black identity in France to African American studies. The contributions assembled were primarily derived from a significant conference in 2008 that the editors convened in Paris. Certain of the most powerful contributions assert a personal voice of experience as witness and actor in the construct and politics of Black identity in France, such as the foreword by Christiane Taubira, member of the French national assembly, and the marvellously affective ‘Letter to France’by the Franco-Congolese novelist Alain Mabanckou, which is primed to be read by a new generation of students encountering contemporary France anew. The encounter of racialising politics in France with the African American experience, as artfully described in the Jack Lamar’s first person narrative, and further developed by Allison Blakley’s coda of the Black experience in contemporary Europe, makes the shifting context for black identity in France accessible to a wide array of Englishlanguage non-specialist readers. Contemporary references to Black identity in France is part of a wide-ranging and well-established historical and literary register, whose major proponents include the co-editors along with the prominent contributors to the volume. The volume itself is divided into three sections, broadly schematised as theory, politics, and history.The first section counterpoints conceptualisations of Blackness in France as a theoretical and social construction to first-hand narrative experiential descriptions. Elisabeth Mudimbe-Boyi and Mamadou Diouf’s contributions underlie a conception of Blackness not merely in France but as the texture of the Franco-African experience. A ritualised tactics of scarification and response implied by hierarchies of moral and aesthetic French values find some refuge in African American literary and cultural references, but it is rather the continual fracturing of a potentially unifying Francophone idealist conception of race and culture that rises to the surface in their critique of Nicolas Sarkozy’s infamous 2008 Dakar speech. It is Gary Wilder’s return to Leopold Senghor’s conceptualisation of black federalism however that provides a historical context for Eurafrique as a previously elaborated and still productive call for a transfigured France, as opposed to the externalisation of reform as an extended colonial construct that has been consistently masked in debates about immigration politics. These contributions set up a Francophone African context as integral to the stakes of black identity in contemporary France.