Mountains, Mobilities and Movement
Mountains, Mobilities and Movement
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山脉、流动性和运动
DOI：
10.1057/978-1-137-58635-3_2
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发表时间：
2018
期刊：
影响因子：
--
通讯作者：
Pitches J
中科院分区：
文献类型：
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作者：
Pitches J
在对山的许多文化表征的描述中，戏剧和表演的学科几乎总是被排除在列表之外。共享术语的一个明显例子是“深度”或“黑暗游戏”现象。本章将检查这些误解，优先阅读人类学家Clifford Geertz的有影响力的文章“深度游戏：巴厘岛斗鸡笔记”（代达勒斯10:1 - 37,1972），并专注于情感强度，男性气概和戏剧活力的建构方面。一旦与理查德·谢纳的表演复述概念结合在一起，本部分将对来自阿尔卑斯山的三个“移动的山”案例进行批判性分析-勃朗峰，艾格尔峰，马特洪峰-以及不同的技术：立体模型，望远镜和头戴摄像头。
In accounts of the many cultural representations of mountains, the disciplines of theatre and performance are almost always left off the list. One overt example of shared terminology is the phenomenon of ‘deep’ or ‘dark play’. This chapter will examine these misunderstandings, prioritizing a reading of anthropologist Clifford Geertz’s influential essay ‘Deep Play: Notes on the Balinese Cockfight’ (Daedalus10:1–37, 1972) and focusing on aspects of emotional intensity, of constructions of masculinity and of theatrical liveness. Once brought together with Richard Schechner’s notion of performative retelling, this section will be followed by a critical analysis of three cases of ‘moving mountain’ from the Alps—Mont Blanc, the Eiger, the Matterhorn—and a different technology: dioramas, telescopes and headcams.