Digital Co-production in Archaeology. An editorial
Digital Co-production in Archaeology. An editorial
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考古学数字联合制作。
DOI：
10.11141/ia.46.1
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发表时间：
2017
影响因子：
--
通讯作者：
Bonacchi C
中科院分区：
文献类型：
--
作者：
Bonacchi C
这期特刊重点关注考古学中的数字化合作生产，汇集了在会议上提交的论文交流作为合作：数字方法，经验和价值，在欧洲考古学家协会第21届年会上组织（格拉斯哥大学，2015年）。这次会议是交流考古学专题组的一部分，部分灵感来自于专门针对考古学数字公众参与主题的第一本出版的书籍（Bonacchi 2012）。在那次会议和这一系列中，我们一直在探索交流，作为材料和解释的合作建设，而不是在考古研究过程的特定阶段传播内容（Bonacchi和Mohenska 2015）。我们的目标是建立一个初步的临界质量的文献，反映参与式参与考古学，其价值观，限制和适用性，由不同的社会行为者在一系列的地方和空间，地缘政治，社会和文化的情况。通过举办响应邀请论文征集而自发提供的案例研究，该问题允许在国际一级审查考古学数字共同制作的存在或不存在，意义和结果。
This special issue focuses on digitally-enabled co-production in archaeology, by bringing together papers that were presented at the session Communication as Collaboration: Digital Methods, Experiences and Values, organised at the 21st Annual Meeting of the European Association of Archaeologists (University of Glasgow, 2015). The session was part of the Communicating Archaeology thematic cluster, which was partly inspired by the first published volume dedicated specifically to the topic of digital public engagement in archaeology (Bonacchi 2012). In that session and in this collection, we have been exploring communication as the collaborative construction of materials and interpretations rather than the dissemination of content at given stages of the archaeological research process (Bonacchi and Moshenska 2015). We have aimed at building an initial critical mass of literature reflecting on participatory engagement with archaeology, its values, limitations and applicability by different social actors in a range of places and spaces, geo-political, social and cultural situations. By hosting case studies that were spontaneously offered in response to an invited call for papers, the issue allows the examination of the presence, or absence, meanings and outcomes of digital co-production in archaeology at an international level.