Joining in and dropping out: Hand-stitching in spaces of social interaction
Joining in and dropping out: Hand-stitching in spaces of social interaction
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加入与退出：社交空间中的手工缝合
DOI：
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发表时间：
2015
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影响因子：
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通讯作者：
E. Shercliff
中科院分区：
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作者：
E. Shercliff
手工缝制的规模和速度与身体相匹配，将孤独或社交的认知和情感体验建立在有形的过程中。手-眼-心的协调需要培养一种独特的关注自我的形式。一方面，作为一种私人的、创造性的活动，手工缝制的缓慢节奏允许个人为内省的反思开辟时间和空间。另一方面，集体缝合实践，短时间的碎片化任务和频繁的颜色变化，构成了一个非常不同的空间。在这篇文章中，我借鉴我的经验，加入一个刺绣组，探讨社会，文化和物理过程中缝合的做法，语音模式和群体动力学的复杂性。发现体现的工艺知识包括社会和物理的互动模式-或分离，我建议手工缝制的做法可以建议思考我们如何创造和占据个人和社会空间的替代方式。
The scale and pace of hand-stitching match those of the body, grounding cognitive and emotional experiences of solitude or sociality in a tangible process. The hand–eye–mind coordination required cultivates a distinctive form of attention to the self. On the one hand, as a private, contemplative activity, the slow rhythms of hand-stitching allow an individual to carve out time and space for introspective reflection. A collective stitching practice on the other hand, with fragmented tasks of short duration and frequent changes of colour, structures a very different space. In this article I draw on my experiences of joining an embroidery group to explore the simultaneity of social, cultural and physical processes in stitching practices, speech patterns and group dynamics. Finding that embodied knowledge of the craft includes patterns of social and physical interaction – or separation, I propose that hand-stitching practices can suggest alternative ways of thinking about how we create and occupy personal and social spaces.