“Idealplastik” and the Relationship between Greek and Roman Sculpture
“Idealplastik” and the Relationship between Greek and Roman Sculpture
复制标题
“理想塑料”与希腊和罗马雕塑之间的关系
DOI:
10.1093/oxfordhb/9780199921829.013.0016
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发表时间:
2018
期刊:
影响因子:
--
通讯作者:
Anguissola
中科院分区:
文献类型:
--
作者:
Anguissola
THE Villa of the Papyri at Herculaneum is one of the best preserved displays of sculp-tures in a Roman house: the vast selection of marbles and bronzes that adorned the vil-la's hallways and courtyard is now on display in the Museo Archeologico Nazionale di Napoli (see essays 2.4, Mattusch; 4.3, Gazda; and 6.1, Squire). One particularly famous piece is the bronze bust of a youth, remarkable for its elegant workmanship and the accurate treatment of face and hair (figure 3.3. 1). This bust dates to the age of Augustus and has been recognized as a copy of the head of one of the most celebrated bronze masterpieces of the Greek world: the Spear-Bearer or Doryphoros made by Polykleitos in the mid-fifth century BC. Significantly, the Herculaneum bust was signed by an artist named Apollonios, son of Archias and native of Athens. The name is written in tidy Greek characters in a prominent position on the front side of the bust (Mattusch 2005,