Neo-endogenous revitalisation: Enhancing community resilience through art tourism and rural entrepreneurship

Neo-endogenous revitalisation: Enhancing community resilience through art tourism and rural entrepreneurship
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DOI:
10.1016/j.jrurstud.2022.11.016
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发表时间:
2023-01
影响因子:
5.1
通讯作者:
Meng Qu;Simona Zollet
Meng Qu;Simona Zollet
中科院分区:
法学2区
文献类型:
--
作者:
Meng Qu;Simona Zollet

文献摘要

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农村社区的衰落和社会经济停滞是全世界日益关切的问题。为促进社区复原力,以艺术和创意为基础的战略正在成为乡村振兴的重要手段。本研究采用新内生的视角,探讨社会参与艺术如何成为振兴社区和增强社区复原力的有效工具。我们研究的情况下,日本的濑户内三年展,国际艺术节,旨在振兴12个小岛,促进社会参与艺术和节日旅游。这种混合方法的研究重点是三个岛屿的特点是最好的振兴成果。旅游业的机会和增加的地方认可所产生的外源艺术节的倡议引发了内生社区的反应,在增加创业精神和社会创新,促进新的内生振兴进程的出现。与此同时,不同的岛屿具有不同的响应机制,这取决于每个岛屿的初始资源和特征。因此,外源性、内源性和新内源性因素对于提高农村复原力都是必要的。然而,通过社会参与艺术成功实现新内生复兴,需要外源性艺术发展和内生性社群活动之间的长期共同创造。
The decline and socio-economic stagnation of rural communities is a growing concern across the world. To promote community resilience, art- and creativity-based strategies are emerging as important means for rural revitalisation. This study adopts a neo-endogenous perspective to examine how socially engaged art can represent an effective tool for revitalising communities and strengthening their resilience. We examine the case of Japan's Setouchi Triennale, an international art festival which aims at revitalising twelve small islands by promoting socially engaged art and festival tourism. This mixed methods research focuses on the three islands characterised by the best revitalisation outcomes. The tourism opportunities and increased place recognition resulting from the exogenous art festival initiative triggered endogenous community responses in terms of increased entrepreneurship and social innovation, facilitating the emergence of neo-endogenous revitalisation processes. At the same time, different islands are characterized by different response mechanisms, which depend on the initial resources and features of each island. Exogenous, endogenous, and neo-endogenous elements are therefore all necessary to increase rural resilience. Successful neo-endogenous revitalisation through socially engaged art, however, requires long-term co-creation between exogenous art development and endogenous community activities.