The Bullfight in Twenty-First-Century Spain: Polemics of Culture, Art and Ethics
The Bullfight in Twenty-First-Century Spain: Polemics of Culture, Art and Ethics
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二十一世纪西班牙的斗牛：文化、艺术与伦理的争论
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
G. Marvin
中科院分区：
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作者：
Ma Verónica De Haro De San Mateo;G. Marvin
在最近一篇关于“跨物种世界主义”的文章中，爱德华多·门迭塔总结了大量的学术成果，他声称，“[c]世界主义……意味着一种双重关系，它敦促我们在认知上对他人保持开放，并在道德上对（动物）他人负责”（门迭塔，2011:2）。从表面上看，斗牛（la corrida de toros）似乎没有做到这两点然而，在本章中，我们将探讨斗牛世界中牛与人关系的配置。正如我们所展示的，表演者和爱好者对彼此的道德责任的概念是通过道德和美学框架的结合而来的，而这些框架并不是他们的批评者所共有的。
In a recent article on ‘interspecies cosmopolitanism’, Eduardo Mendieta summarizes a good deal of scholarship in his claim that, ‘[c]osmopolitanism … implies a dual relationship that urges that we remain cognitively open to the other and that we be morally accountable for and to the [animal] other’ (Mendieta, 2011: 2). On the face of it the bullfight (la corrida de toros) seems to fail both of these desiderata.1 In this chapter, however, we explore the configuration of the bull-human relationship within the bullfight world. Performers’ and aficionados’ conceptions of moral accountability for and to the other come, as we show, through a conjunction of ethics and aesthetic frameworks that is not shared by their detractors.