Copyright and Artists: A View from Cultural Economics
Copyright and Artists: A View from Cultural Economics
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版权与艺术家：文化经济学的视角
DOI：
10.1111/j.1467-6419.2006.00256.x
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发表时间：
2006
期刊：
影响因子：
--
通讯作者：
R. Towse
中科院分区：
文献类型：
--
作者：
R. Towse
大多数关于版权的标准经济学文献都忽略了一些对文化生产和艺术家具有重大意义的方面，艺术家是版权作品的主要创作者，版权应该刺激其供应。具体而言，该文献中很少提到精神权利，没有区分作者的版权和表演者的邻接权，几乎没有提到版权的分配效果，也忽略了艺术家从版权中获得多少收入的问题。在这篇文章中，我调查的工作，涉及版权和文化经济学表明，文化经济学提供了另一种观点的“标准”经济学的版权。此外，文化经济学家提出的政府干预艺术和遗产的理由与版权的经济原理相呼应。
Most of the standard economic literature on copyright ignores a number of aspects that have considerable significance for cultural production and for artists, the primary creators of copyright works, the supply of which copyright is supposed to stimulate. Specifically, there is little mention in that literature of moral rights, no distinction is made between copyright for authors and neighbouring rights for performers, the distributional effects of copyright are barely referred to, and the question of how much artists earn from copyright is ignored. In this article, I survey work that relates copyright and cultural economics showing that cultural economics offers another view to the 'standard' economics of copyright. Moreover, the case for government intervention in the arts and heritage made by cultural economists has resonance for the economic rationale of copyright.