Reconsidering postsocialism from the margins of Europe: hope, time and normalcy in post-Yugoslav societies

Reconsidering postsocialism from the margins of Europe: hope, time and normalcy in post-Yugoslav societies
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从欧洲边缘重新思考后社会主义:后南斯拉夫社会的希望、时间和常态

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发表时间:
2008
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影响因子:
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通讯作者:
Stef Jansen
Stef Jansen
中科院分区:
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作者:
Andrew Gilbert;J. Greenberg;Elissa Helms;Stef Jansen

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系统蒸发散。对娱乐和以消费者为导向的节目的过度重视也标志着与国家社会主义媒体清醒的高度现代理性主义的明显分歧。我们当然不否认这些差异的存在。我们的论点是,无论相关媒体的具体认知或意识形态内容如何,​​话语超正常化都可能发生。在这方面,西方媒体近20年来的两个重要趋势值得我们关注。首先是基础内容生产的高度集中和整合,导致尽管媒体平台多样化,但仍能获得类似媒体内容的更多迭代的熟悉体验。举一个引人注目的例子,在美国新闻媒体中,美联社在基本新闻内容的生产和流通上几乎处于垄断地位,这种情况类似于社会主义时代东欧的集中化新闻服务。几乎在美国的每一份中小报纸上,都可以找到同样的通过将非本地新闻制作外包给美联社制作的国内和国际新闻报道。其次,数字化显着加速了媒体制作的临时性,培育了“实时”媒体工作的新标准,数字新闻民族志学家称,随着媒体专业人士利用已经流通的想法和信息来跟上不断增长的生产力需求,数字化会导致模仿趋势的增加。
tions. The overriding emphasis on entertainment and consumeroriented programming also marks an obvious divergence from the sober high-modern rationalism of state-socialist media. We certainly do not deny the existence of these differences. Our argument is that discursive hypernormalization can occur regardless of the specific epistemic or ideological content of the media in question. In this respect, two important trends in Western media over the last 20 years deserve our attention. The first is an intense concentration and consolidation of basic content production leading to the familiar experience of receiving more iterations of similar media content despite diversified media platforms. To take a striking example, in the US news media, the Associated Press (AP) has attained a virtual monopoly position in the production and circulation of basic news content, a situation analogous to the centralized news services of socialist era Eastern Europe. In virtually every smalland medium-sized newspaper in the US one can find the same national and international news coverage produced through outsourcing of non-local news production to AP. Second, digitization has significantly accelerated the temporality of media-making, cultivating new standards of “real time” media work that ethnographers of digital news have described as engendering an increased tendency toward imitation as media professionals draw upon ideas and information already in circulation in order to keep pace with rising productivity demands.