Film and Television Production in the Age of Climate Crisis - Towards a Greener Screen
Film and Television Production in the Age of Climate Crisis - Towards a Greener Screen
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气候危机时代的影视制作——迈向绿色屏幕
DOI：
10.1007/978-3-030-98120-4_4
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发表时间：
2022
期刊：
影响因子：
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通讯作者：
Sørensen I
中科院分区：
文献类型：
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作者：
Sørensen I
本章探讨了欧洲电影机构作为调解气候危机影响的公共机构所发挥的作用。Det Danske Filminstitut（丹麦电影学院）、Screen爱尔兰（Fís Éireann）和Vlaams Audiovisueel Fonds（弗兰德斯视听基金）等机构都是公共资助的机构，其任务是支持本国的电影和电视制作能力。在过去的几年里，环境的可持续性已经成为这些机构中的一些机构暂时关注的问题。本章通过对筛查机构内部专业人士的访谈和讨论，以及对英国、爱尔兰、法国、德国、比利时、瑞典和挪威等国制定的政策的回顾，得出了经验证据，并对筛查机构与气候危机之间的关系进行了批判性的阐述。它介绍了目前正在采取的应对措施的类型，揭示了所采用的方法的共同点和支持这些干预措施的几个有问题的逻辑。本章的结论是，由于筛选机构不是有任务采取行动的环境机构，他们的做法和框架的气候危机与具体的制度价值观，仔细平衡经济增长和创造性的做法与周围的环境可持续性的期望。为了使它们成为环境变化的更有效和更紧迫的推动者，更广泛的屏幕行业文化将不得不改变。
This chapter examines the role that European screen agencies play as public bodies mediating the impact of the climate crisis. Agencies such as Det Danske Filminstitut (Danish Film Institute, DFI), Screen Ireland (Fís Éireann), and Vlaams Audiovisueel Fonds (Flanders Audio-visual Fund) are publicly funded bodies with a mandate to support the film- and television-making capacity of their nation. In the last few years environmental sustainability has emerged as a tentative concern amongstsomeof these agencies. Drawing on empirical evidence from interviews and discussions with professionals within screen agencies, and from a review of the policies enacted in countries such as the UK, Ireland, France, Germany, Belgium, Sweden and Norway, this chapter offers a critical account of the relationship between screen agencies and the climate crisis. It presents a typology of the responses currently being pursued, revealing commonalities in the approaches employed and several problematic logics underpinning these interventions. The chapter concludes that as screen agencies are not environmental agencies with mandates to act, they approach and frame the climate crisis with specific institutional values in mind, carefully balancing economic growth and creative practice with expectations around environmental sustainability. For them to be more effective and urgent agents of environmental change the wider screen industry culture will have to change.