Envisioning the Homefront: Militarization, Tracking and Security Culture
Envisioning the Homefront: Militarization, Tracking and Security Culture
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展望后方：军事化、追踪和安全文化
DOI：
10.1177/1470412905050636
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发表时间：
2005
影响因子：
1.4
通讯作者：
J. Armitage
中科院分区：
文献类型：
--
作者：
J. Crandall;J. Armitage
作为一名艺术家和媒体理论家，乔丹·克兰德尔主要关注的是将媒体技术和计算机军事程序的融合概念化，以进行跟踪、识别和瞄准。受Paul Virilio， Henri Bergson, Michel Foucault， Gilles Deleuze和fsamlix Guattari关于视觉作品的影响，克兰德尔的作品与Brian Massumi， Bruno Latour和Donna Haraway的作品有着相似的关注。这些问题在他最近的作品中得到了充分的体现，比如《Drive》（1998-2000）、《Heatseeking》（2000）、《Trigger》（2002）和《Homefront》（2005）。通过这些和其他装置，艺术作品和批评作品，以及作为加州大学活跃和有影响力的助理教授，克兰德尔的工作对许多探索领域产生了重大影响，包括视觉文化，当代批评文化理论和政治。目前，他正在研究运动与调解、化身与再现之间的关系。在这里，克兰德尔与约翰·阿米蒂奇谈论了这些以及相关问题。
As an artist and media theorist, Jordan Crandall is concerned primarily with conceptualizing the confluences of media technologies and computerized military programs for tracking, identifying and targeting. Influenced by the writings of Paul Virilio, Henri Bergson, Michel Foucault, Gilles Deleuze and Félix Guattari on the visual, Crandall’s work shares similar concerns with that of Brian Massumi, Bruno Latour and Donna Haraway. These concerns are much in evidence in his recent projects, such as Drive (1998-2000), Heatseeking (2000), Trigger (2002) and Homefront (2005). Through these and other installations, artworks and critical writings, and as an active and influential assistant professor at the University of California, Crandall’s work is having a significant impact on numerous areas of enquiry, including visual culture, contemporary critical cultural theory and politics. Currently, he is investigating the relationships between movement and mediation, embodiment and representation. Here, Crandall speaks about these and related issues with John Armitage.