Framing the Penal Colony - Representing, Interpreting and Imagining Convict Transportation
Framing the Penal Colony - Representing, Interpreting and Imagining Convict Transportation
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构建流放地——代表、解释和想象囚犯的运输
DOI：
10.1007/978-3-031-19396-5_4
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发表时间：
2023
期刊：
影响因子：
--
通讯作者：
Cointot C
中科院分区：
文献类型：
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作者：
Cointot C
本章将仔细阅读最近出版的两部漫画：Fabien Bedouel、Pat Perna和Florence Fantini所著的《forats》（2016-2017）和Laurent Maffre所著的《l ' homme qui ' s ' vada》（2006），这两部漫画讲述了记者Albert Londres关于eug<s:1> dieudonn<s:1>逃离劳改营和随后的赦免运动的故事。目的是分析当代的重新想象和他们所借鉴的视觉词汇。这些最近的漫画是如何融入更悠久的视觉传统的？在多大程度上，他们也提供了一套替代的图像和“重新框架”，故意唤起“在”流放地“内部”产生的早期表现？这些重述在哪些方面挑战了现有的囚犯运输和强迫劳动的文化表征，开辟了新的阅读方式，并对法属圭亚那的carcaral地理有了更细致的了解？
This chapter offers a close reading of two recent comics, the 2-volume (2016–2017)Forçatsby Fabien Bedouel, Pat Perna and Florence Fantini andL’Homme qui s’évada(2006) by Laurent Maffre which retell journalist Albert Londres’ account of Eugène Dieudonné’s escape from the penal colony and subsequent campaign for pardon. The intention is to analyse contemporary re-imaginings and the visual lexicon upon which they draw. How do these recent comics fit into a longer visual tradition? To what extent do they also offer an alternative set of images and ‘re-framings’ which deliberately evoke earlier representations produced ‘within’ the penal colony? In what ways can these retellings challenge existing cultural representations of convict transportation and forced labour, opening up new readings and a more nuanced understanding of French Guiana’s carceral geographies?