The Oxford Handbook of Sound Studies
The Oxford Handbook of Sound Studies
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牛津声音研究手册
DOI：
10.1093/oxfordhb/9780195388947.001.0001
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发表时间：
2011
期刊：
影响因子：
--
通讯作者：
K. Bijsterveld
中科院分区：
文献类型：
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作者：
T. Pinch;K. Bijsterveld
贡献者数字列表介绍：声音世界的新钥匙-特雷弗捏和卡琳Bijsterveld第一部分：返工机器声音：车间和测试现场1.机器中的花园：聆听早期美国工业化。史密斯2.变成聋子的耳朵？工业噪声和噪声控制在德国自20世纪20年代以来-汉斯-约阿希姆布劳恩3。“抽泣，抱怨，隆隆声”：听自动驾驶作为社会实践-斯特凡克雷布斯4。销售声音：测试，设计和营销声音在欧洲汽车工业- Eefje Cleophas和Karin Bijsterveld第二部分：为科学和艺术舞台声音：现场5。声音无菌：在鸟类学科学领域的记录-乔里Bruyninckx 6。水下音乐：调整组成的声音科学-斯特凡Helmreich 7。一个灰色的盒子：在实验室实验和现场工作的留声机，1900年至1920年-朱莉娅库尔塞尔第三部分。为科学和艺术舞台发声：实验室8.从科学仪器到乐器：音叉、节拍器和警报器。杰克逊9.转换：声音和视觉，军事和民用-居鲁士莫迪10。寻找“杀手级应用程序”：围绕科学数据的声音化绘制边界-亚历山德拉晚餐第四节：为身体说话：身体11。内和外圣所：耳塞和医院-希勒尔施瓦茨12.发声机构：医学研究和听诊器的观点收购-汤姆赖斯13。信号有政治吗？第五节：编辑声音：设计工作室14.声音和玩家沉浸在数字游戏-马克格里姆肖15.索尼克游戏围栏：皮克斯动画短片中的声音设计和技术-威廉·惠廷顿16。家庭空间中的先锋派：20世纪60年代和70年代的美国广告和电子音乐的本土化-蒂莫西·泰勒第六节：消费声音和音乐：家庭和家庭之外。可见的声音：收音机拨号作为中介界面-安德烈亚斯·菲克斯18。从倾听到传播：20世纪60年代至80年代匈牙利和捷克斯洛伐克的非官方音乐实践-特雷弗哈根与蒂亚·迪诺拉19.机械音乐时代的业余爱好者-马克·卡茨20.在线音乐网站作为声波社会技术社区：身份，声誉和技术在ACIDplanet.com-特雷弗捏和凯瑟琳Athanasiades第七节：移动的声音和音乐：数字21。模拟转向数字：嘻哈，技术，和种族真实性的维护-雷福什22。iPod文化：听觉乌托邦的有毒乐趣-迈克尔·布尔23。首页>外文书>艺术>音乐> The Recording That Never Wanted to Be Heard，and Other Stories of Sonification
Contributors List of Figures Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper SECTION IV: SPEAKING FOR THE BODY: THE CLINIC 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills SECTION V: EDITING SOUND: THE DESIGN STUDIO 14. Sound and Player Immersion in Digital Games - Mark Grimshaw 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora 19.The Amateur in the Age of Mechanical Music - Mark Katz 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama Index