A Companion to Digital Art
A Companion to Digital Art
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数字艺术的伴侣
DOI：
10.1002/9781118475249.ch27
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发表时间：
2016
期刊：
影响因子：
--
通讯作者：
Graham B
中科院分区：
文献类型：
--
作者：
Graham B
本章讨论了新媒体艺术展览和非新媒体艺术展览的历史，包括装置艺术和特定场地艺术，并特别强调互动和参与性艺术。它讨论了展示新媒体行为的新媒体展览，而不是像摄影和视频这样的模拟媒体的数字版本，后者更容易融入现有的艺术历史类别和展览模式。正如本章所探讨的，某些“行为”，如参与或互动，可能会导致新媒体艺术被牢牢地放在博物馆的“教育”部门，而不是在收藏品，档案馆或图书馆，从那里可以瞥见历史经典的光泽。本章探讨了过去和最近的展览的例子，并通过新媒体艺术和社会系统的透镜检查了现在可用和理解的文献类型。
This chapter addresses histories of both new media art exhibitions and non‐new media exhibitions, involving installation art and site‐specific art, and placing a particular emphasis on interactive and participatory art. It discusses exhibitions of new media that display new media behaviors, rather than digital versions of analog media such as photography and video, which fit more smoothly into existing art‐historical categories and exhibition models. As explored in the chapter, certain “behaviors”, such as participation or interaction, might cause new media art to be placed with a firm hand in museum “education” departments, rather than in the collections, archives, or libraries from where the sheen of the historical canon might be glimpsed. The chapter explores examples of past and recent exhibitions, and examines the kinds of documentation that are now available and understood through the lens of new media art and social systems.