Eight Components of a Design Theory of Sonification
Eight Components of a Design Theory of Sonification
复制标题
可听化设计理论的八个组成部分
DOI：
10.21785/icad2019.048
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
M. Nees
中科院分区：
文献类型：
--
作者：
M. Nees
尽管在该领域进行了超过25年的密集工作，但超声研究和实践仍然受到理论缺乏的阻碍。在某种程度上，声化理论已经衰落，因为声化理论的要求还没有被清楚地阐明。作为一门设计科学，声效学处理的是人工制造的声音和制造声音的工具。设计领域需要的理论方法不同于自然科学的理论构建。Gregor和Jones b[1]描述了设计理论的八个一般组成部分：(1)目的和范围；(2)构造;（三）形式和功能原则；(4)伪像可变性；(5)可检验的命题；（六）正当知识；（七）实施原则；(8)说明性实例。在这篇立场文件中，我研究了这些组件，因为它们与超声领域有关，并使用这些组件来澄清超声理论的要求。对超声理论的现状进行了评估，因为它与每个组成部分有关，并且，在可能的情况下，为可以推进超声领域的理论和理论驱动的研究和实践的实践提供建议。
Despite over 25 years of intensive work in the field, sonification research and practice continue to be hindered by a lack of theory. In part, sonification theory has languished, because the requirements of a theory of sonification have not been clearly articulated. As a design science, sonification deals with artifacts—artificially created sounds and the tools for creating the sounds. Design fields require theoretical approaches that are different from theory-building in natural sciences. Gregor and Jones [1] described eight general components of design theories: (1) purposes and scope; (2) constructs; (3) principles of form and function; (4) artifact mutability; (5) testable propositions; (6) justificatory knowledge; (7) principles of implementation; and (8) expository instantiations. In this position paper, I examine these components as they relate to the field of sonification and use these components to clarify requirements for a theory of sonification. The current status of theory in sonification is assessed as it relates to each component, and, where possible, recommendations are offered for practices that can advance theory and theoretically-motivated research and practice in the field of sonification.