Remembering Derek Jarman: Death, Legacy, and Friendship

Remembering Derek Jarman: Death, Legacy, and Friendship
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纪念德里克·贾曼:死亡、遗产和友谊

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发表时间:
2014
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通讯作者:
C. Silverstone
C. Silverstone
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作者:
C. Silverstone

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自德里克·贾曼于 1994 年 2 月 19 日因艾滋病并发症去世以来的二十年里,人们为纪念、纪念和庆祝他的生活和工作做出了无数努力。与对贾曼生活和工作的广泛批判性描述相反,对他的死亡的多方面反应现象尚未得到持续的批判性思考。本文围绕两个中心主题——遗产和友谊——分析了贾曼去世后产生的选定文本和事件的主要趋势和问题,这些文本和事件主要来自讣告、文章、采访、艾萨克·朱利安的纪录片德里克(Derek,2008)和相关出版物,以及贾曼2014年的选定事件。死亡不仅仅意味着个人生命的丧失。在贾曼的案例中,他的死亡索引在英国讣告写作中发生了变化,并成为记住 20 世纪 80 年代中期至 90 年代初的艾滋病毒/艾滋病危机、酷儿民权活动以及英国实验电影制作条件变化的一种手段。遗产的出现永远不会完整,而是一个持续的迭代过程。贾曼为记住自己、朋友和合作者所做的努力在死后得到了他的朋友们的回报。对这些友谊行为的思考说明了友谊是如何与死亡相关的,以及朋友对死者的记忆如何融入生者的关心之中。用于纪念贾曼的媒体范围也表明,对死者的记忆如何依赖于技术,以及过去二十年来技术的转变如何为公开纪念贾曼的作品提供了更多的可能性。
In the twenty years since Derek Jarman died on 19 February 1994 from complications related to AIDS, there have been numerous efforts to remember, commemorate, and celebrate his life and work. In contrast to extensive critical accounts of Jarman’s life and work, the phenomenon of the multi-faceted responses to his death has yet to receive sustained critical consideration. Organised around two central topics—legacy and friendship—this essay analyses key trends and issues that emerge from a consideration of selected texts and events produced in the wake of Jarman’s death, developed with examples primarily from obituaries, articles, interviews, Isaac Julien’s documentary Derek (2008) and related publications, and selected events from Jarman2014. Death signals more than the loss of an individual life. In Jarman’s case, his death indexes shifts in British obituary writing and becomes a means through which to remember the HIV/AIDS crisis from the mid-1980s to early 1990s, queer civil rights activism, and changes in the conditions of experimental filmmaking in the UK. Legacy emerges as never complete but an on-going iterative process. Jarman’s efforts to remember himself, friends, and collaborators are posthumously reciprocated by his friends. A consideration of these acts of friendship illustrates how friendship is structured in relation to death and how friends’ memories of the dead are embedded in the concerns of the living. The range of media used to remember Jarman also shows how memories of the dead are dependent on technology and how shifts in technology over the last twenty years offer increased possibilities for remembering Jarman’s work publicly.
情感、身份和死亡:跨学科的死亡率
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发表时间: 2012
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作者:
Park Chang-Won
通讯作者: Park Chang-Won