Sonic Dominance and the Reggae Sound System Session
Sonic Dominance and the Reggae Sound System Session
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声音优势和雷鬼音响系统会议
DOI：
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发表时间：
2003
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通讯作者：
Julian F. Henriques
中科院分区：
文献类型：
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作者：
Julian F. Henriques
这篇文章标志着Julian Henriques对雷鬼音响系统的学术研究的开始，并指出了他在后来的研究中发展的许多兴趣。它讨论了世纪初牙买加的舞厅雷鬼场景以及建造和操作音响系统的音响工程师。它认为声音与其他感官刺激，特别是视觉刺激有关;在雷鬼音响系统会议的背景下，音乐和声音。最后，提出了“声音优势”的概念，以及这种声音质量与人群体现的关系。
This article marks the beginning of Julian Henriques’ academic research on reggae sound systems and points to many of the interests that he develops in later research. It discusses dancehall reggae scene in Jamaica at the beginning of the 21st century and the sound engineers who build and operate sound systems. It considers sound in relation to other sensory stimuli, especially visual ones; and music and sound in the context of reggae sound system sessions. Finally, it proposes the concept of “sonic dominance” and the relationship of this quality of sound to the crowd’s embodiment.