Representasjoner av kulturell forskjell
Representasjoner av kulturell forskjell
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福斯克杰尔文化代表
DOI：
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发表时间：
2004
期刊：
影响因子：
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通讯作者：
Stein R. Mathisen
中科院分区：
文献类型：
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作者：
Stein R. Mathisen
本文分析了萨米文化在展览和博物馆中的表现，因为它们已经通过历史发展。从动物园和世界博览会上的萨米人和驯鹿的生活到民族志收藏和博物馆的发展，再到目前对代表萨米人的政治后果的后殖民反思，可以看出有关萨米人的叙述和政治的变化。这一领域的殖民历史需要不断反思这些展示的萨米人叙事如何在特定背景下呈现和讲述，以及它们如何与其他关于土著人民的更普遍的元叙事相关联。讨论试图通过玻璃陈列柜中的文物、自然栖息地中的蜡模、博物馆中的人工立体模型以及精心制作的评论和文本来识别这些叙述。参展商和博物馆专业人员的工作不仅是描述性的，而且是解释性的。当前博物馆关于萨米人的展览必须根据早期叙述、民族志和代表政治的权威来理解。
The article analyzes representations of SAimi culture in exhibitions and museums, as they have developed through history. Changing narratives and politics concerning the Sami can be identified, from the âVA¶lkerschauâ with live Sami and reindeer at zoos and World Fairs, to the development of ethnographic collections and museums, and ending in present postcolonial reflections on the political consequences of the representing the âOtherâ. The colonial history of this field requires an ongoing reflection on how these exhibited narratives of the SAimi have been presented and told in specific contexts, and how they relate to other more generalized meta-narratives about indigenous people. The discussion tries to identify these narratives as they are told with the help of cultural objects in glass showcases, wax models in natural habitats, artificial dioramas in museums, and elaborated commentaries and texts. Exhibitors and museum professionals have not merely been descriptive in their work, but also interpretative. Current museum exhibitions about the SAimi must be understood in the light of the authority of earlier narratives, ethnographies, and politics of representation.