Sustainability, Reciprocity, and the Shared Good(s) of Poetry

Sustainability, Reciprocity, and the Shared Good(s) of Poetry
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诗歌的可持续性、互惠性和共享利益

DOI:
10.3200/jaml.37.3.257-270
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发表时间:
2007
期刊:
The Journal of Arts Management, Law, and Society
影响因子:
--
通讯作者:
Ailsa Craig
Ailsa Craig
中科院分区:
--
文献类型:
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作者:
Ailsa Craig

文献摘要

被引文献

相似文献

通过对纽约和加拿大多伦多诗歌社区的深入定性研究,并以礼物关系理论和布迪厄的文学生产领域概念(1996)为基础,本文认为,如果艺术的可持续性要符合艺术生产领域的内部经验和定义,就必须包括超越经济的可持续性愿景。本文认为,诗人之间的关系可以被理解为礼物经济的范例,诗人之间的礼物关系有助于这一艺术领域和事业的可持续发展。为了更清楚地阐明这一过程的模式,作者提出了一个关于礼物关系如何在诗歌社区中形成模式的模型。
Drawing from in-depth qualitative research of poetry communities in New York City and Toronto, Canada, and grounded in theories of gift relations and Bourdieu's conception of fields of literary production (1996), this article argues that the sustainability of the arts must include visions of sustainability that extend beyond the economic if they are to be true to the internal experience and definitions of fields of artistic production. This article argues that relations among poets can be understood as exemplars of a gift economy and that these gift relations among poets contribute to the sustainability of this artistic field and career. A model of how gift relations are patterned among poetry communities is proposed to more clearly articulate the patterns of this process.