Phenomenology of rhythm in design
Phenomenology of rhythm in design
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DOI：
10.1016/j.foar.2012.06.003
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发表时间：
2012-09-01
影响因子：
3.5
通讯作者：
Chan, Chiu-Shui
中科院分区：
文献类型：
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作者：
Chan, Chiu-Shui
设计中的节奏，如本研究所探讨的，被认为是创作者在风格上产生的认知表现的结果，并被观者有意识地识别。本研究描述了节奏的现象;它是如何产生的;构成节奏的因素;人类对重复的认知所创造的节奏类型，以及为什么重复被认为是人类认知的一部分。阿尔瓦·阿尔托（Alvar Aalto）设计的七座建筑的图像被用来展示建筑构图中节奏的创造和表达。本研究收集的证据说明，设计中的节奏是人类对重复的认知有意识地应用设计方法的结果。总结了节奏现象的产生规律。设计师可以运用这些规则，通过重复的有效使用来产生和谐的图案。总而言之，节奏在人类的意识中根深蒂固，因此应该是普遍应用的设计的关键组成部分。(C)2012年。高等教育出版社有限公司。制作和主办：Elsevier B. V.
Rhythm in design, as explored in this research, is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. This study describes the phenomenon of rhythm; how it is created; the factors that comprise rhythm; the types of rhythms created by human cognition of repetition, and why repetition is recognized as a part of human cognition. Images of seven buildings designed by Alvar Aalto are used to demonstrate the creation and expression of rhythm in building compositions. Evidence gathered in this research explains that rhythm in design is a result of the design method consciously applied by human cognition of repetition. Rules of generating the phenomena of rhythm are also summarized. Designers could apply these rules to generate harmonious patterns through the effective usage of repetition. In sum, rhythm is ingrained in the human conscience and therefore should be a key component of design applied universally.(C) 2012. Higher Education Press Limited Company. Production and hosting by Elsevier B.V.