Stepping Through Remixed
Stepping Through Remixed
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逐步进行混音
DOI：
10.1145/3317697.3323363
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发表时间：
2019
期刊：
影响因子：
--
通讯作者：
Manni S
中科院分区：
文献类型：
--
作者：
Manni S
参与式电影制作提供了机会，通过让有心理健康问题生活经历的参与者参与制作，来抵消主流媒体经常支持的关于心理健康的陈规定型观念。然而，根据我们的经验，传统上由这种过程产生的线性视频可能无法完全容纳和代表多个参与者的声音和观点，因此可能导致对心理健康的过度简化。另一方面，互动电影可以为参与式电影开辟一个机会空间，让多种声音和复杂的表现方式共存。在本文中，我们通过回顾Stepping Through来探索这个机会，这是一部由五名患有精神健康问题的男性在2016年制作的关于隔离和康复的线性电影。通过一系列的研讨会，电影的创作者对电影进行了解构，他们分析了如果将《穿越》转变为一部非线性互动电影，可以揭示形式和内容的哪些额外可能性。我们的研究结果揭示了几个表达的需要，一个非线性的互动电影可以更容易地容纳和机会，使参与式电影制作真正的对话，允许与观众保持积极的交流，而不是简化，集体观点和个人帐户之间的紧张关系。
Participatory filmmaking offers opportunities to counterbalance stereotypes about mental health often endorsed by the mainstream media, by involving participants who have a lived experience of mental health problems in production. It is our experience, however, that the linear videos traditionally resulting from such processes can fail to fully accommodate and represent a plurality of participant voices and viewpoints and, as a consequence, may lead to oversimplified accounts of mental health. Interactive film, on the other hand, could open up a space of opportunities for participatory films that allow multiple voices and complex representations to coexist. In this paper, we explore this opportunity by reviewing Stepping Through, a linear film produced by five men with mental health problems in 2016 about isolation and recovery. Through a series of workshops, the film was deconstructed by its creators, who analysed which additional possibilities of both form and content that could be revealed if the Stepping Through was transformed into a non-linear interactive film. Our findings reveal several expressive needs that a non-linear interactive film could more easily accommodate and opportunities for making participatory filmmaking truly dialogic by allowing an active exchange with audiences that preserves, rather than streamlines, the tension between collective views and personal accounts.