Realism or Socialist Realism?: The `Proletarian' Episode in Modern Chinese Literature 1927-1932.
Realism or Socialist Realism?: The `Proletarian' Episode in Modern Chinese Literature 1927-1932.
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现实主义还是社会主义现实主义？：中国现代文学中的“无产阶级”插曲1927-1932。
DOI：
10.2307/2159089
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发表时间：
1983
期刊：
影响因子：
--
通讯作者：
Sylvia Chan
中科院分区：
文献类型：
--
作者：
Sylvia Chan
中国现代文学是在一场激进的反建制、反传统思潮发酵的文学革命中诞生的。文学革命的主角们几乎一致同意，新文学几乎没有什么可以从中国自己的文学传统中学习的，应该以西方文学为榜样；在所有西方文学流派中，他们尤其被现实主义流派所吸引。文学革命的旗手陈独秀在他的纲领性文章《论文学革命》中断言，新文学是一种现实主义文学。1
Modern Chinese literature came into being in a literary revolution amidst a ferment of radical anti-establishment and anti-traditional thinking. The protagonists of the literary revolution agreed almost unanimously that the new literature had little to learn from China's own literary tradition and should be modelled on Western literature; of all Western literary schools, they were particularly attracted to the school of realism. In his programmatic article 'On the literary revolution' Chen Duxiu, the standard-bearer of the literary revolution, averred that the new literature was to be a literature of realism. 1