Transparent Pictures: On the Nature of Photographic Realism

Transparent Pictures: On the Nature of Photographic Realism
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透明图片:论摄影写实主义的本质

DOI:
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发表时间:
1984
期刊:
影响因子:
1.7
通讯作者:
K. Walton
K. Walton
中科院分区:
法学3区
文献类型:
--
作者:
K. Walton

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照片和其他种类的图片有各种各样的优点和缺点。但摄影通常被认为在一个维度上表现出色,特别是现实主义。安德烈·巴赞和其他许多人认为照片是非常真实的,在某种程度上或在某种程度上是绘画,素描和其他“手工”图片所无法达到的。这种态度是由丰富多样的熟悉的观察所鼓励的。犯罪照片更有可能被采纳为证据
Photographs and pictures of other kinds have various strengths and weaknesses. But photography is commonly thought to excel in one dimension especially, that of realism. Andre Bazin and many others consider photographs to be extraordinarily realistic, realistic in a way or to an extent which is beyond the reach of paintings, drawings, and other "handmade" pictures. This attitude is encouraged by a rich assortment of familiar observations. Photographs of a crime are more likely to be admitted as evidence