Horacio Coppola: Towards an Aesthetic Genealogy
Horacio Coppola: Towards an Aesthetic Genealogy
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奥拉西奥·科波拉：迈向美学谱系
DOI：
10.1080/03087298.2016.1236887
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发表时间：
2016
影响因子：
0.2
通讯作者：
Kefala E
中科院分区：
文献类型：
--
作者：
Kefala E
虽然这是拉丁美洲摄影史上的一个里程碑，但霍拉西奥·科波拉的作品在阿根廷以外的地方却鲜为人知。他的非正统角度和倾斜框架，他对工业和城市主题的关注，以及他在1927年至1931年期间使用不同镜头的实验，与欧洲新视觉和新客观性摄影的规则以及美国的直接摄影绝对同步。科波拉的视觉风格与两次世界大战之间欧洲最新的摄影发展是一致的，这是显而易见的。目前尚不清楚的是，他究竟是如何实现这种同步的。几位学者一直在努力解决这个问题，但由于缺乏证据表明他在1932年在柏林包豪斯学习之前与欧洲摄影直接接触，以及他一再试图淡化当代摄影师对他的作品的影响，这个问题仍然难以捉摸。本文通过对科波拉早期绘画和理论著作的批判性考察，系统地研究了科波拉的美学谱系和摄影借鉴。它梳理了与新视觉、新客观主义和20世纪20年代后半期的直接摄影可能的直接和间接对话渠道，并探讨了科波拉不愿承认与当代欧洲摄影联系的原因。
Although a milestone in the history of Latin American photography, the work of Horacio Coppola is little known outside Argentina. His unorthodox angles and tilting frames, his attention to industrial and urban themes, and his experimentation with different lenses in the period between 1927 and 1931 were in absolute synchrony with the precepts of European New Vision and New Objectivity photography, and with American straight photography. That Coppola’s visual idiom was in tune with the latest photographic developments in interwar Europe is obvious. What remains unclear is how exactly he achieved that synchrony. Several scholars have wrestled with this question, which nevertheless remains elusive due to lack of evidence of direct contact with European photography prior to his studies at the Berlin Bauhaus in 1932 and his repeated attempts to downplay the influence contemporary photographers had on his work. The article provides a systematic study of Coppola’s aesthetic genealogy and his photographic borrowings through a critical examination of his early pictures and theoretical writings. It teases out possible direct and indirect channels of dialogue with the New Vision, New Objectivity, and straight photography in the second half of the 1920s, and probes the reasons behind Coppola’s reluctance to admit a connection with contemporary European photography in particular.
关于摄影
DOI：
--
发表时间：
2017
期刊：
Illuminations
影响因子：
--
作者：
S. Sontag
通讯作者：
S. Sontag
“La gran América Ibérica”：阳光下的人文主义和乌托邦。
DOI：
--
发表时间：
2012
期刊：
影响因子：
--
作者：
Eleni Kefala
通讯作者：
Eleni Kefala