Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context
Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context
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利德盖特在朗梅尔福德：在当地背景下重新评估遗嘱和“Quis Dabit Meo Capiti Fontem Lacrimarum”
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发表时间：
2017
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影响因子：
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通讯作者：
M. E. Davis
中科院分区：
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作者：
M. E. Davis
摘要：约翰Lydgate的遗嘱和“Quis Dabit Meo Capiti Fontem Lacrimarum”在克洛普顿chantry教堂的圣Trinity大教堂，长梅尔福德，不仅是两个有趣的证人不同的演示文稿和语言的手稿副本，但也可以被认为是一个修辞方案的一部分，其中Lydgate的作品服务于连接克洛普顿家庭作为教堂的恩人，以教会和更大的社会结构。通过仔细选择特定的利德盖特诗节及其与视觉对象的位置，其结果是一个文本，这是独特的特定背景下的长梅尔福德，这不仅反映利德盖特，但教区社区作为一个整体。因此，在呈现这些经文时，必须考虑上下文和内容，而不是仅仅依靠文本本身。
abstract:The extracodical stanzas of John Lydgate’s Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in the Clopton chantry chapel of the Great Church of Holy Trinity, Long Melford, not only are two intriguing witnesses differing in presentation and language from the manuscript copies but also can be considered as part of a rhetorical program wherein the Lydgate works serve to connect the Clopton family as the benefactors of the chapel to the fabric of the church and the larger community. With the careful selection of particular Lydgate stanzas and their placement alongside visual objects, the result is a text that is unique to the particular context of Long Melford and which reflects not only Lydgate but the parish community as a whole. For this reason, both context and content have to be considered when presenting these verses, rather than relying simply on the text itself.