Theorizing Bioart Encounters after Gilbert Simondon
Theorizing Bioart Encounters after Gilbert Simondon
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吉尔伯特·西蒙东之后的生物艺术邂逅理论化
DOI：
10.1177/0263276415580173
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发表时间：
2016
期刊：
影响因子：
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通讯作者：
Andrew Lapworth
中科院分区：
文献类型：
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作者：
Andrew Lapworth
近年来，“生物艺术”在社会科学中受到称赞，因为它创造性地参与了生物技术生命新形式的本体论赌注。在本文中，我进一步探索生物艺术的个体发生潜力，以产生新的思维能力和感知的非人类机构重叠在主体的形成。为了探索这种潜力，我阶段遇到吉尔伯特西蒙顿的个性化哲学，突出三个理论的宪法和主体的转变的影响。首先，西蒙登迫使我们重新思考主体从前个体过程中的转换出现，以及对正在进行的转变的亚稳态易感性。第二，他用物质遭遇的非功利主义首要性作为小说个性化的条件来取代非功利主义的思想观念。最后，我认为，西蒙顿使政治的（生物）艺术遭遇的个体发生能力，以物质上产生，而不仅仅是代表，新的主题和世界的思考。
In recent years ‘bioart’ has been lauded in the social sciences for its creative engagements with the ontological stakes of new forms of biotechnical life in-the-making. In this paper I push further to explore the ontogenetic potentials of bioart-encounters to generate new capacities for thinking and perceiving the nonhuman agencies imbricated in the becoming of subjects. To explore this potential I stage an encounter with Gilbert Simondon’s philosophy of individuation, highlighting three implications for theorizations of the constitution and transformation of subjects. First, Simondon forces us to rethink the subject in terms of its transductive emergence from pre-individual processes, and its metastable susceptibility to ongoing transformations. Second, he substitutes voluntarist conceptions of thought with an involuntarist primacy of material encounters as the conditions for novel individuations. Finally, I argue that Simondon enables a thinking of the politics of the (bio)art-encounter in terms of its ontogenetic capacity to materially produce, rather than merely represent, new subjects and worlds.