Cultural Industries and the Environmental Crisis - New Approaches for Policy
Cultural Industries and the Environmental Crisis - New Approaches for Policy
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文化产业与环境危机——政策新途径
DOI：
10.1007/978-3-030-49384-4_4
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发表时间：
2020
期刊：
影响因子：
--
通讯作者：
Brennan M
中科院分区：
文献类型：
--
作者：
Brennan M
本章讨论音乐产业的环境可持续性。一个音乐没有环境影响的世界就是一个没有音乐的世界。我不想要一个没有音乐的世界，我也无意通过指出音乐对环境的影响来破坏生活中最大的乐趣之一--音乐的享受。但音乐不仅可以根据其价值来构建，还可以根据其成本来构建--包括那些参与音乐的人通常认为理所当然的生产和消费行为的全部范围。因此，本章探讨了音乐产业的三个关键部门--唱片音乐、现场音乐和乐器--并从环境可持续性和政治生态的角度来考虑它们。它还对这些行业的增长是毫无疑问的好处的假设提出了批评。
This chapter discusses the environmental sustainability of the music industries. A world where music does not have an environmental impact is a world without music. I do not want a world without music, and it is not my intention to ruin one of life’s great pleasures – the enjoyment of music – by pointing out its environmental impact. But music can be framed not just in terms of its value, but also its cost - including the whole range of production and consumption behaviours that those who participate in music often take for granted. This chapter therefore explores three key sectors of the music industries – recorded music, live music, and musical instruments – and considers them from the perspective of environmental sustainability and political ecology. It also offers a critique of the assumption that the growth of these industries is an unquestionable good.