Introduction: The Experience of the Street in Early Modern Italy
Introduction: The Experience of the Street in Early Modern Italy
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简介：近代早期意大利街道的经历
DOI：
10.1086/673481
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发表时间：
2013
期刊：
影响因子：
--
通讯作者：
Clarke G
中科院分区：
文献类型：
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作者：
Clarke G
安东尼奥·马内蒂的中篇小说《格拉索之谜》（Novella del Grasso legnaiuolo）以1409年的佛罗伦萨为背景，描述了由菲利波·布鲁内莱斯基领导的一群朋友对不幸的嵌花大师马内托·阿曼纳蒂尼（Manetto Ammannatini）（绰号“伊尔·格拉索”）精心设计的诡计。故事开始于格拉索错过了一次晚宴，他所有的朋友都出席了。他的朋友们策划了一个计划，通过一个复杂的过程窃取伊尔·格拉索的身份，其中包括改变他的姓名、住所、工作地点和友谊网络。在24小时内，他因与“误认”他的人争吵而被送进监狱，被保释，被带到“他的”奥尔特拉诺的房子（远离他自己的房子，在大教堂旁边），并会见了一名律师和一名牧师，他们都证实了他的身份是“马特奥”。在鸦片制剂的麻醉下，他回到了自己真正的家，这样当他早上醒来时，听到圣玛利亚德尔菲奥雷（大教堂）熟悉的“圣母颂”钟声，他就回到了自己的床上。2他拿起洗礼堂附近工作室的钥匙，开始工作;格拉索被这场精心设计的闹剧弄得迷惑不解，无法弄清楚这一切是如何发生的，他决定“离开他的工作室一段时间，去圣玛利亚德尔菲奥雷，有时间想想自己的事情，更好地证明他是格拉索还是马特奥，在承认上的联系格鲁吉亚克拉克在考陶德艺术学院，伦敦（格鲁吉亚。克拉克@ courtauld。AC.英国），和法布里齐奥内沃拉在埃克塞特大学，人文学院，女王大厦，女王的驱动器，埃克塞特EX 4 4 QH（f。nevola@埃克塞特。AC.英国）。我们要特别感谢Nick Terpstra，感谢他同意撰写结束这组文章的后记，并为这里提供的介绍性评论提供了理想的扩展。
ANTONIO MANETTI’S Novella del Grasso legnaiuolo, set in Florence in 1409, describes an elaborate trick played on the unlucky intarsia master Manetto Ammannatini, nicknamed “il Grasso,” by a brigata of his friends led by Filippo Brunelleschi. 1 The tale begins with il Grasso missing a dinner at which all his other friends are present. His friends hatch a plan to steal il Grasso’s identity by a complicated process that involves switching his name, residence, workplace, and friendship network. In the space of twenty-four hours, he is sent to jail for brawling with people who “misidentify” him, is released on bail, is brought to “his” house in Oltrarno (far from his own house, which was by the Duomo), and meets with a lawyer and a priest who both confirm his identity as “Matteo.” Doped by opiates, he is returned to his actual home, so that when he wakes up in the morning to the familiar sound of the “Ave Maria” bells of Santa Maria del Fiore (the Duomo), he is back in his own bed. 2 He picks up the key to his workshop near the baptistry and goes to work; confused and mesmerized by the elaborate beffa, Grasso was unable to work out how all this had happened and decided “to leave his workshop for a while and go to Santa Maria del Fiore, to have time to think of his own affairs, and to certify better if he were Grasso or Matteo, in the recognition on theContact Georgia Clarke at the Courtauld Institute of Art, London (georgia. clarke@ courtauld. ac. uk), and Fabrizio Nevola at the University of Exeter, College of Humanities, Queen’s Building, The Queen’s Drive, Exeter EX4 4QH (f. nevola@ exeter. ac. uk). We would especially like to thank Nick Terpstra for kindly agreeing to write the postscript that closes this cluster of articles and offers an ideal extension of the introductory comments offered here.
意义与经验：从古代到近代早期的城市历史
DOI：
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发表时间：
1999
期刊：
影响因子：
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作者：
Diane Favro
通讯作者：
Diane Favro
乡村钟声：十九世纪法国乡村的声音和意义
DOI：
--
发表时间：
1999
期刊：
影响因子：
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作者：
E. Weber;A. Corbin;Martin Thom
通讯作者：
Martin Thom