Modernity versus Postmodernity
Modernity versus Postmodernity
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现代性与后现代性
DOI：
10.2307/487859
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发表时间：
1981
期刊：
影响因子：
--
通讯作者：
S. Benhabib
中科院分区：
文献类型：
--
作者：
J. Habermas;S. Benhabib
去年，继画家和电影制片人之后，建筑师也获准参加威尼斯双年展。首届建筑双年展上响起的声音是令人失望的。我会这样描述它：那些在威尼斯展出的人形成了一个反面的先锋派。我的意思是，他们牺牲了现代性传统，以便为新历史主义腾出空间。值此之际，德国《法兰克福汇报》的一位评论家提出了一篇论文，其意义超出了这一特定事件的范围。这是对我们这个时代的诊断：“后现代性无疑表现为反现代性。”这句话描述了我们这个时代的一种情感潮流，它已经渗透到知识生活的各个领域。它将后启蒙运动、后现代性、甚至后历史学理论提上了议事日程。从历史上我们知道这样一句话：
Last year, architects were admitted to the Biennial in Venice, following painters and filmmakers. The note sounded at this first Architecture Biennial was o'he of disappointment. I would describe it by saying that those who exhibited in Venice formed an avant-garde of reversed fronts. I mean that they sacrificed the tradition of modernity in order to make room for a new historicism. Upon this occasion, a critic of the German newspaper, Frankfurter Allgemeine Zeitung, advanced a thesis whose significance reaches beyond this particular event; it is a diagnosis of our times: "Postmodernity definitely presents itself as Antimodernity." This statement describes an emotional current of our times which has penetrated all spheres of intellectual life. It has placed on the agenda theories of post-enlightenment, postmodernity, even of posthistory. From history we know the phrase: