On Physical Properties of Chinese Black Ink
On Physical Properties of Chinese Black Ink
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论中国墨的物理性质
DOI：
10.2183/pjab1912.10.10
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发表时间：
1934
期刊：
影响因子：
--
通讯作者：
Tetu Watanabe
中科院分区：
文献类型：
--
作者：
T. Terada;R. Yamamoto;Tetu Watanabe
自古以来在日本广泛使用的中国黑色墨水是通过在一种名为“铃木”的石器表面上摩擦一块被称为“铃木”的干燥水彩来获得的，该石器表面不时地被从容器凹陷部分所含的水池中提取的水弄湿。干色是由燃烧一些油或松木尖端，混合一些胶状物质而获得的油烟制成的。苏米油墨是一种胶体悬浮体，与许多其他水彩一样，悬浮体的稳定性是通过胶状物质来保护的。这项实验研究的目的是为了阐明在书籍装订机中被称为“Sumi-nagasi”的现象，这种现象类似于在欧洲被称为“Marmor-Technik”的现象。涂在水面上的彩色薄膜因其特有的装饰效果而印在纸、丝绸等上。与这项研究有关的实验结果可能对胶体化学家和处理表面膜问题的物理学家有一定的兴趣。因此，下文将简要介绍这些成果。有关详细情况，请读者参考将发表在物理和化学研究所科学论文上的报告。
Chinese black ink widely in use in Japan from ancient time is obtained by rubbing a piece of dry water-colour called "sumi " upon the surface of a stone vessel called " suzuri," the surface being from time to time wetted with water drawn from a pool contained in the depressed part of the vessel. The dry colour is manufactured with lampblack obtained by burning some oil or tips of pine-wood, mixed with some gelatinous matter. The ink of sumi is a kind of colloidal suspension as many other water-colours of which the stability of suspension is protected by means of gelatinous matter. The present experimental study was begun with the purpose of elucidating the phenomenon called " sumi-nagasi " which is similar to that known in Europe as " Marmor-technik "1) among book-binders. Varigated patterns of the colour film spread upon water surface are printed upon paper, silk, etc. for its characteristic decorative effects. The results of experiments made in connection with this study may be of some interest for colloid chemists and also for the physicists dealing with the problem regarding surface film. A brief summary of the results will therefore be given below. For the details the readers are referred to the report to be published in the Scientific Paper of the Institute of Physical and Chemical Research.