Dance and Media Technologies
Dance and Media Technologies
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舞蹈和媒体技术
DOI：
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发表时间：
2002
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影响因子：
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通讯作者：
J. Birringer
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作者：
J. Birringer
在过去的十年里，国际上的编舞家、表演者和媒体艺术家中，有一小群人开始尝试将舞蹈和新技术结合起来的计算机辅助工作。邮件列表已经到位（http：//art.net/-dtz/），不断增长的合作媒体项目网络引发了关于“虚拟”或“数字”舞蹈新兴定义的激烈互联网辩论。舞蹈制作人对新媒体的强烈兴趣并不令人惊讶，因为舞蹈电影和视频舞蹈在80年代引起了相当大的关注，特别是编舞家，公司，研究人员和教师开始使用视频作为记录/推广工作或分析现有舞蹈的重要手段。此外，一些学者和软件程序员已经发布了一些工具（LabanWriter，LifeForms），这些工具在舞蹈符号和保存领域以及编舞者中引起了注意（例如，Merce Cunningham），他希望利用计算机来发明和可视化新的运动可能性。
uring the last decade a small but burgeoning group of people in the international community of choreographers, performers, and media artists began to experiment with computer-assisted work linking dance and new technologies. A mail list was put in place (http://art.net/-dtz/), and a growing network of collaborative media projects triggered contentious internet debates about emerging definitions of "virtual" or "digital" dance. The strong interest among dancemakers in new media hardly came as a surprise, since dance-on-film and videodance had attracted considerable attention in the 80s, especially as choreographers, companies, researchers, and teachers began to use video as a vital means of documenting/promoting work or analyzing existing choreographies. Furthermore, some scholars and software programmers had published tools (LabanWriter, LifeForms) that attracted attention in the field of dance notation and preservation as well as among choreographers (e.g., Merce Cunningham) who wanted to utilize the computer for the invention and visualization of new movement possibilities.