Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics

Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics
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数字图像、照片共享和我们日常审美观念的转变

DOI:
10.1177/1470412908091935
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发表时间:
2008
影响因子:
1.4
通讯作者:
Susan E. Murray
Susan E. Murray
中科院分区:
法学4区
文献类型:
--
作者:
Susan E. Murray

文献摘要

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在这篇文章中,作者认为,在Flickr上,数码摄影的社会应用标志着人们对日常图像的参与发生了转变,因为它不再是关于家庭生活的特殊或稀有时刻,而是更多地是对一个人对微小和平凡的发现和框架的即时、相当短暂的展示和收集。通过这种方式,摄影不再仅仅是安德烈·巴赞曾经说过的时间的防腐剂,而是一种更活的、更直接的、往往是短暂的实践/形式。此外,日常图像成为即使是业余爱好者也可以相对权威和轻松地创作和评论的东西,这有助于打破图像制作中业余和专业类别的传统分歧。
In this article, the author argues that the social use of digital photography, as represented on Flickr, signals a shift in the engagement with the everyday image, as it has become less about the special or rarefied moments of domestic living and more about an immediate, rather fleeting, display and collection of one's discovery and framing of the small and mundane. In this way, photography is no longer just the embalmer of time that André Bazin once spoke of, but rather a more alive, immediate, and often transitory practice/form. In addition, the everyday image becomes something that even the amateur can create and comment on with relative authority and ease, which works to break down the traditional bifurcation of amateur versus professional categories in image-making.