"Performing the Swahili Hamziyyah and the Pyeongtaek Nongak: A Comparative Analysis of Community Dance and Rituals"
"Performing the Swahili Hamziyyah and the Pyeongtaek Nongak: A Comparative Analysis of Community Dance and Rituals"
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“表演斯瓦希里语 Hamziyyah 和平泽农乐：社区舞蹈和仪式的比较分析”
DOI：
10.21694/2378-7031.15018
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
Tom Olali
中科院分区：
文献类型：
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作者：
Tom Olali
我第一次也是最持久的一次关于个人成长事件的教训来自肯尼亚拉穆群岛的毛利迪节。在这个纪念先知穆罕默德诞辰的节日里，斯瓦希里人的乐队年复一年地从我眼前走过。2014年，我来到韩国，同年11月，我设法参加了平泽农乐（也称为pungmul），这是一种广泛传播的传统表演形式，融合了音乐，舞蹈和戏剧。本文旨在比较肯尼亚拉穆群岛毛利迪节期间的哈姆齐耶和韩国农民表演的传统韩国音乐农加克的表演。我特别关注他们在节日期间发挥的作用，以及作为一种媒介，分别加强拉穆群岛斯瓦希里人和韩国人民的价值观。本文阐述了如何hamziyyah和nongak期间，拉穆毛里迪节和景福宫在首尔和他们随后的传输进行。表演包括音乐合奏，舞蹈，表演者和hamziyyah和nongak提供的潜在功能。
My first and most enduring lessons on per formative events came from the maulidi festival of the Lamu archipelago, Kenya. Bands of Swahili passed year after year before my eyes during this festival to mark the anniversary of the birthday of the Prophet Muhammad. In 2014, I came to Korea and in November of the same year, I managed to attend the Pyeongtaek nongak(also known as pungmul), a widely-transmitted traditional performance format blending music, dance and theatre. This paper was initiated to compare the performance of the hamziyyah during the maulidi festival in the Lamu archipelago, Kenya and the nongak, a traditional Korean music performed by farmers in the Republic of Korea. I give particular attention to the role they play during the festivals and as a medium which is employed to reinforce values of the Swahili people of the Lamu archipelago and that of Korean people respectively. This paper illustrates how the hamziyyah and the nongak are performed during the Lamu maulidi festival and at Gyeongbokgung palace in Seoul and their subsequent transmission. The performance includes the musical ensemble, the dances, the performers and the latent functions that the hamziyyah and the nongak provide.