Into the sounding environment A compositional approach
Into the sounding environment A compositional approach
复制标题
进入发声环境 作曲方法
DOI：
--
复制
发表时间：
2012
期刊：
影响因子：
--
通讯作者：
Aikaterini Tzedaki
中科院分区：
文献类型：
--
作者：
Aikaterini Tzedaki
本文介绍的合成方法的重点是探测环境。在这种情况下，术语“声音环境”是指我们在世界上的整个生活经验，我们可能会将其注册为与声音有关。它可能包括一切发声的东西，似乎发声的东西，想象发声的东西，记忆发声的东西，感觉发声的东西，为发声而创作的东西。因此，它包括实际的声音环境，所有被感知或解释为声音和想象的声音。本论文是伴随着这本书中的七个声学和两个声音装置作品而进行的。它分为两个部分。第一部分讨论了电声音乐创作和声景创作文献中的相关思想和理论，第二部分介绍了应用于作品中的声音环境的创作方法。
The focus of the compositional approach presented in this folio is the sounding environment. The term sounding environment is used in this context to refer to the whole of our living experience in the world which we might register as relating to sound. It might include everything that is sounding, seemingly sounding, imagined sounding, remembered sounding, sensed as sounding, composed to sound. It includes thus the actual sound environment, all that is sensed or interpreted as sound and imaginary sounds. This dissertation accompanies the seven acousmatic and the two sound installation works included in the folio. It is divided into two parts. In the first part relevant ideas and theories both from the literature of electroacoustic music composition and soundscape composition are discussed while in the second the compositional approach to the sounding environment is presented as applied to the works.
即兴创作：方法和模型。
DOI：
--
发表时间：
1988
期刊：
影响因子：
--
作者：
J. Pressing
通讯作者：
J. Pressing