The Death of Mganda?: Continuity and Transformation in Matengo Music
The Death of Mganda?: Continuity and Transformation in Matengo Music
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姆甘达之死？：Matengo 音乐的延续与转变
DOI：
10.2979/aft.2001.48.4.26
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发表时间：
2001
期刊：
影响因子：
--
通讯作者：
S. Hill
中科院分区：
文献类型：
--
作者：
S. Hill
在坦桑尼亚西南部的马滕戈高地，音乐的变化反映了广泛的经济和政治变化，以及男女舞者做出的地方和性别决定。通过对上个世纪集体舞的重要领域的分析，我们更清楚地看到了行为经常产生的意想不到的后果，以及马登戈舞者在他们的策略中使用音乐来理解和指挥“现代人”的各种方式。在Matengo音乐中，对新表演资源追求不同目标的选择导致了两种集体舞流派的截然不同的结果。在一个案例中，舞者的决定加上不断变化的经济和政治现实导致了繁荣，而在另一个案例中，几乎肯定会被抛弃。
In the Matengo highlands of southwestern Tanzania, musical changes reflect broad economic and political changes as well as local and gendered decisions made by men and women dancers. By analyzing the important realm of group dances over the preceding century a clearer picture emerges of the frequently unintended consequences of actions and the various ways that Matengo dancers employ music in their strategies to comprehend and command the "modern." In Matengo music choices to pursue divergent goals for new performative resources led to radically different outcomes for two group-dance genres. In the one case, dancers' decisions coupled with shifting economic and political realities led to fl uorescence, and in the other, to almost certain abandonment.