‘So what is the normal amount of bumps allowed in a pit?’: Some Empirical Notes on the (Re)construction of a Youth Music Subculture/Scene
‘So what is the normal amount of bumps allowed in a pit?’: Some Empirical Notes on the (Re)construction of a Youth Music Subculture/Scene
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“那么坑中允许的正常颠簸量是多少？”：关于青年音乐亚文化/场景（重新）构建的一些经验笔记
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发表时间：
2007
期刊：
影响因子：
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通讯作者：
A. Riley
中科院分区：
文献类型：
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作者：
Amanda Nogic;A. Riley
这项对宾夕法尼亚州威尔克斯-巴雷青年亚文化/场景的研究为关于青年亚文化认同性质的理论辩论提供了一种经验干预。我们聚焦于不同主流和非主流媒体对亚文化生活中的危机事件(两个青少年在俱乐部表演中被刺伤)的不同框架和讨论，并提出了不同的身份建构策略在这些不同媒体中出现的一些方法。在主流媒体中，核心动态关注的是局外人对这一场景的恐惧，以及成员们试图挑战局外人对这一场景进行负面描述的努力。在由场景成员组成的互联网留言板这个非主流媒体中，关于场景的定义和参与者的真实性问题出现了更复杂的冲突。最后，我们提出了一个新的范畴，地方场景，来描述既是本地的又是虚拟的亚文化，并讨论了这些场景中的身份如何因其双重性质而变得复杂。
This study of a youth subculture/scene in Wilkes-Barre, Pennsylvania offers an empirical intervention into theoretical debates about the nature of youth subcultural identity. We focus on the different framing and discussion of a crisis event in the life of the subculture (the stabbing of two teens at a club show) in various mainstream and non-mainstream media, and suggest some ways in which different strategies for identity construction emerge in those different media. In mainstream media, the central dynamic concerns outsider fears of the scene and members’ efforts to challenge outsider efforts to negatively portray it. In the non-mainstream medium of an Internet message board made up of scene members, more complicated conflicts emerge over definition of the scene and the authenticity of various participants in it. We conclude by offering a new category, the loctual scene, to describe subcultures that are both local and virtual and discuss how identity in these scenes is complicated by their dual nature.