Role, Status and Hierarchy in the Performance of North Indian Classical Music
Role, Status and Hierarchy in the Performance of North Indian Classical Music
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DOI：
10.1080/17411912.2015.1091272
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发表时间：
2015-12-01
影响因子：
0.8
通讯作者：
Leante, Laura
中科院分区：
文献类型：
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作者：
Clayton, Martin;Leante, Laura
在这篇文章中，我们描述和解释参与者之间发生的互动，在北印度古典音乐的表演。由于这种音乐在很大程度上是在表演的时刻形成的，它的成功取决于参与者之间的恰当互动，因此理解这些互动是理解音乐传统的关键。我们在这里考虑的这些相互作用的方面包括参与者承担的角色及其互补性;参与者之间存在的与这些角色相关的各种层次结构;权威和尊重的表达;以及绩效冲突的原因和结果。虽然其中一些问题在以前的学术文献中已经被注意到，但它们以前没有受到持续和广泛的调查，广泛借鉴了表演音乐家的第一人称叙述。我们的解释的理论取向主要归功于欧文·戈夫曼的经典社会学著作，并参考了南亚理解权威、社会等级和顺从的特定方式。
In this article we describe and interpret the interactions that take place between participants in performances of North Indian classical music. Since this music is shaped largely in the moment of performance, its success depends on felicitous interactions between participants, so understanding these interactions is key to understanding the musical tradition. Aspects of these interactions we consider here include the roles assumed by participants and their complementarity; the various hierarchies that exist amongst participants and are related to those roles; the expression of authority and deference; and the causes and results of conflict in performance. Although some of these issues have been noted in previous academic literature, they have not previously been subjected to a sustained and wide-ranging enquiry that draws extensively on first-person accounts of performing musicians. The theoretical orientation of our interpretation owes most to the classic sociological work of Erving Goffman, with reference to the particular ways in which authority, social hierarchy and deference are understood in South Asia.