Towards a Relational Aesthetic in Disability Art: Interdependence and Crip Futurity
Towards a Relational Aesthetic in Disability Art: Interdependence and Crip Futurity
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走向残疾艺术中的关系美学：相互依存和残缺的未来
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发表时间：
2017
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影响因子：
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通讯作者：
Jacqueline White
中科院分区：
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作者：
Jacqueline White
通过对丽莎布法诺（2010）的精神上的罚款，一个令人信服的残疾行为艺术作品的批判性分析，我探讨残疾美学的各种构成。我认为，我们需要推动过去的丑陋和美丽的二元在我们的残疾美学的理解和走向一个毫无歉意，自豪，体现差异。我采用尼古拉斯·布里奥（2002）的关系美学概念，并认为残疾艺术中的残疾美学是一种相互依存的美学。我断言，与布法诺的艺术相遇激发了我们内心的批判性反思，可以将我们对残疾的理解从悲剧转变为一种新的、不同的、至关重要的、相互关联的未来。
Through a critical analysis of Lisa Bufano’s (2010) Mentally Fine, a compelling piece of disability performance art, I explore various constitutions of disability aesthetics. I argue that we need to push past the binary of ugly and beautiful in our understandings of disability aesthetics and move toward one of unapologetic, proud, embodied difference. I employ Nicolas Bourriaud’s (2002) concept of relational aesthetics and argue that a disability aesthetic in disability art is one of interdependence. I assert that encounters with Bufano’s art incite critical reflexivity within us that can shift our understandings of disability from tragedy to opportunity for a new and different kind of vital connected crip future.